Looking for the answers and hints for the Strands puzzle from October 8, 2025? You’ve come to the right place! Every day, we archive the solutions to help you check your work or get that final clue you need. Below you will find all the answers for yesterday’s Strands challenge.
Strands Hints for October 8, 2025
Here are all the official hints to guide you toward the solution.
- This six-letter word is synonymous with low frequency sounds and can also refer to a type of guitar or fish. It's all about the low end.
- If you're adjusting sound settings and want to enhance the high frequencies, you might turn up this knob, often associated with higher pitched musical notes.
- When seeking opinions or criticism on your latest project, you're not necessarily looking for applause, but rather this type of constructive input that starts with an "F."
- Think of the knob on your stereo that goes to 11, or the control that increases the intensity or power of the sound you're listening to or producing.
- This term might evoke thoughts of a ghostly echo in a large hall, a common effect used in music to add depth and sustain to the sound.
Spoiler Warning!
The final answers are below. Stop scrolling now if you want to solve it yourself!
Strands Answer for October 8, 2025
Here is the final, official answer for the Strands puzzle that was released on October 8, 2025.
Today’s NYT Strands Answers
The theme for today's New York Times Strands puzzle, 'Now, hear this!', revolves around terms frequently associated with audio, music, and sound engineering. Below are the words from the puzzle, each fitting neatly into the overarching theme:
- FEEDBACK: Feedback refers to the loop of sound that is created when a sound system's output is picked up by its input, often resulting in a high-pitched, screeching noise. This is especially common in live sound environments when a microphone captures the sound from a speaker that is amplifying the microphone's own signal.
- TREBLE: Treble is the term used for the high-frequency content in sound. It's one of the components of the equalization process, which also includes bass (low-frequency sounds) and sometimes midrange. Treble can be adjusted to change the tone and clarity of the higher-pitched sounds in music or audio playback.
- VOLUME: Volume is the most intuitive concept on this list, being the measure of loudness or sound intensity. In audio applications, adjusting the volume controls the amplitude of the sound wave, thereby increasing or decreasing the loudness of the sound output.
- REVERB: Short for reverberation, reverb refers to the effect that occurs as sound bounces off walls and other surfaces, creating a persistence of sound after the original sound is produced. In music production and sound engineering, reverb effects are often added to recordings to simulate the acoustic characteristics of various spaces.
- BASS: Bass represents the low end of the frequency spectrum in music and audio. These are the deep, low-frequency sounds that give music a sense of depth and power. Bass frequencies can range from the bottom edge of hearing (around 20Hz) up to about 200Hz.
- MIDRANGE: Midrange refers to the middle part of the audio frequency spectrum, where human hearing is most sensitive. It is where most of the audible content like vocals and many instruments live. Midrange frequencies typically range from 200Hz to about 5kHz.
In addition to the above words fitting the theme, the pangram for today's puzzle is SOUNDCHECK, which is a term used for the process of checking the sound levels and equipment before a live performance or recording session. This involves testing out all the elements of the sound system, making sure everything is balanced, adjusting volumes, tones, and effects like reverb to ensure high-quality sound output during the actual performance.
The clever "Now, hear this!" theme encapsulates terms that are an integral part of the audio and music world, either during live performances or in the recording studio. Each term is essential to the quality and perception of sound, highlighting the importance of their roles in our auditory experiences.
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